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Each week, the Complicator extracts three pieces from the mesh. Some are essayistic, many narrative, a few instructional or taxonomical. Most are fantastical, absurd and deeply serious. They hinge on talking heads, talking body parts, talking creatures, talking things, invented institutions, infrastructures and processes. Some were made in lieu of talks, for performances, in response to archives, for fun; some solo, some collaboratively. Music and language spills throughout. And everything is complicating.
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